Matthew Barney Drawing Restraint
Matthew Barney Drawing Restraint - By hans ulrich obrist (editor), matthew barney (artist), francis mckee (contributor) see all formats and editions. Using the trampoline, a single mark was made on the ceiling of the studio with each jump. Jointly owned by laurenz foundation, schaulager, basel; Web artist matthew barney describes his ongoing series drawing restraint, which he began as studio experiments in 1987, as “an endless loop between desire and discipline.” in the piece, which brings together performance, film, and sculpture, he created serpentine obstacles for himself — impeded by obstacles, harnesses, and ramps, he struggled. Graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and vivak. And the museum of modern art, new york, richard s.
Jointly owned by laurenz foundation, schaulager, basel; Web artist matthew barney describes his ongoing series drawing restraint, which he began as studio experiments in 1987, as “an endless loop between desire and discipline.” in the piece, which brings together performance, film, and sculpture, he created serpentine obstacles for himself — impeded by obstacles, harnesses, and ramps, he struggled. Web drawing restraint by matthew barney Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. Web the first major public exhibition in the uk of the work of artist matthew barney.
Web drawing restraint by matthew barney Web the first major public exhibition in the uk of the work of artist matthew barney. Web the artist matthew barney discusses the origins of his series drawing restraint. This insightful book features a clear pvc cover designed by the artist, printed in silver ink. The drawing restraint series consists of 19 numbered components and related materials.
Matthew Barney Drawing Restraint Art Gallery of Ontario
36 1/2 x 114 x 80 (92.7 x 289.6 x 203.2 cm). Jointly owned by laurenz foundation, schaulager, basel; Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. Web.
Matthew Barney Drawing Restraint 9 Drawing Restraints, David Altmejd
Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. And the museum of modern art, new york, richard s. The development of form occurs through resistance. This insightful book features a clear pvc cover designed by the artist, printed in.
Drawing Power The New Yorker
Graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and vivak. Web drawing restraint 9 begins with a procession at a japanese oil refinery, where a tanker truck loaded with hot petroleum jelly is paraded from the factory gates down to the local harbor. The development of form occurs through resistance. This insightful book.
Augenweide* Drawing restraints, Barney, Performance art
Jointly owned by laurenz foundation, schaulager, basel; That being the idea that athletic physicality and strength is built up through muscle resistance. Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. Web artist matthew barney describes his ongoing series drawing.
DRAWING RESTRAINT by Matthew Barney
By hans ulrich obrist (editor), matthew barney (artist), francis mckee (contributor) see all formats and editions. Jointly owned by laurenz foundation, schaulager, basel; And the museum of modern art, new york, richard s. The drawing restraint series consists of 19 numbered components and related materials. The development of form occurs through resistance.
Matthew Barney Frieze
Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. The idea grew out of barney’s early experience as an athlete and represents many principles fundamental to his art. Web the artist matthew barney discusses the origins of his series drawing.
DRAWING RESTRAINT by Matthew Barney
Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. Web drawing restraint by matthew barney. Web drawing restraint 9 begins with a procession at a japanese oil refinery, where.
Matthew Barney (B. 1967) , Drawing Restraint 9 Christie's
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Web drawing restraint by matthew barney. The drawing restraint series consists of 19 numbered components and related materials. And the museum of modern art, new york, richard s. Graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and vivak. Web drawing restraint by matthew barney
artruby “ Matthew Barney, Drawing Restraint 7 (Guillotine), 1993.
36 1/2 x 114 x 80 (92.7 x 289.6 x 203.2 cm). Web has 62 works online. Web drawing restraint by matthew barney. Jointly owned by laurenz foundation, schaulager, basel; Using the trampoline, a single mark was made on the ceiling of the studio with each jump.
Mythology, Mortality, Mailer, and Vaseline Matthew Barney at the
Web has 62 works online. The development of form occurs through resistance. That being the idea that athletic physicality and strength is built up through muscle resistance. Web drawing restraint by matthew barney And the museum of modern art, new york, richard s.
Matthew Barney Drawing Restraint - Web has 62 works online. Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. Jointly owned by laurenz foundation, schaulager, basel; Using the trampoline, a single mark was made on the ceiling of the studio with each jump. ‘drawing restraint 7’ was created in 1993 by matthew barney in performance art style. Web the artist matthew barney discusses the origins of his series drawing restraint. The exhibition consisted of sculpture, installation, performance, drawing and film from throughout barney’s drawing restraint series, numbers 1 to 16. Web drawing restraint by matthew barney. The drawing restraint series consists of 19 numbered components and related materials. The development of form occurs through resistance.
Web the artist matthew barney discusses the origins of his series drawing restraint. This insightful book features a clear pvc cover designed by the artist, printed in silver ink. The development of form occurs through resistance. The idea grew out of barney’s early experience as an athlete and represents many principles fundamental to his art. Web drawing restraint 9 begins with a procession at a japanese oil refinery, where a tanker truck loaded with hot petroleum jelly is paraded from the factory gates down to the local harbor.
Using the trampoline, a single mark was made on the ceiling of the studio with each jump. 36 1/2 x 114 x 80 (92.7 x 289.6 x 203.2 cm). Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). And the museum of modern art, new york, richard s.
36 1/4 x 62 x 41 (92.1 x 157.5 x 104.1 cm). Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). ‘drawing restraint 7’ was created in 1993 by matthew barney in performance art style.
Web drawing restraint 9 begins with a procession at a japanese oil refinery, where a tanker truck loaded with hot petroleum jelly is paraded from the factory gates down to the local harbor. Web artist matthew barney describes his ongoing series drawing restraint, which he began as studio experiments in 1987, as “an endless loop between desire and discipline.” in the piece, which brings together performance, film, and sculpture, he created serpentine obstacles for himself — impeded by obstacles, harnesses, and ramps, he struggled. Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies.
By Hans Ulrich Obrist (Editor), Matthew Barney (Artist), Francis Mckee (Contributor) See All Formats And Editions.
Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). ‘drawing restraint 7’ was created in 1993 by matthew barney in performance art style. That being the idea that athletic physicality and strength is built up through muscle resistance. The idea grew out of barney’s early experience as an athlete and represents many principles fundamental to his art.
The Exhibition Consisted Of Sculpture, Installation, Performance, Drawing And Film From Throughout Barney’s Drawing Restraint Series, Numbers 1 To 16.
36 1/4 x 62 x 41 (92.1 x 157.5 x 104.1 cm). Web has 62 works online. Web returning to the project in 1993, barney made drawing restraint 7, a work formally distinct from its precedents. And the museum of modern art, new york, richard s.
The Development Of Form Occurs Through Resistance.
Web drawing restraint 9 begins with a procession at a japanese oil refinery, where a tanker truck loaded with hot petroleum jelly is paraded from the factory gates down to the local harbor. Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). This insightful book features a clear pvc cover designed by the artist, printed in silver ink. Jointly owned by laurenz foundation, schaulager, basel;
Web Drawing Restraint By Matthew Barney.
And the museum of modern art, new york, richard s. Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. Using the trampoline, a single mark was made on the ceiling of the studio with each jump.